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Opportunity Knocks

I said a week or two ago that I was on the lookout for ways that our economic troubles were affecting the look and feel of our cities, but that can be a depressing project, so I’m trying to keep an eye out for hopeful signs too. A surprising number of new bars and restaurants have been opening in Oakland in the last few months, and many of them seem to be doing well despite the lousy economy.

There is one business that I’m most excited about. Ever since I read about the Middle Eastern and African emporium that is scheduled to open on a somewhat desolate stretch of Telegraph, I’ve been monitoring the progress whenever I pass by, and tonight I was happy to see that the interior is looking near completion, and something you don’t see very often these days, a help wanted sign, is posted on the window:

Opportunity Knocks

As the owner told Oakland North, a local news website run by Berkeley J-School students, “I’m from Yemen originally, and here we are missing a lot of stuff. A lot of stuff. Sometimes you have to go to L.A. Here there’s not even a single Middle East bakery that sells Lebanese pastries!”

He told the reporter that he might have to bring in a pastry chef from New York or Michigan, because there might be no one in Oakland who is up to the job. Whether he finds a pastry chef here or brings one in from elsewhere, I hope he finds a good one, because I’d hate to have to go to L.A. for my Lebanese pastries…

Where Wile E. Coyote Buys His Fire Extinguishers

Acme Fire Extinguisher Co.

This is on Fruitvale Avenue, near the BART station. I’m not the only person who likes this sign: a local artist made a painting of it as part of a whole series on Oakland signage.

Love at First Sight

So there I was yesterday, riding my bike home through some neighborhoods that I have rarely, if ever, visited before. The ride itself was routine: one eye on the cars to my right, alert for the sudden opening of a door, the other eye monitoring my left flank, where cars were passing with an uncomfortably small margin or error. With both of my eyes thus occupied, you might not think that I would be able to see anything in front of me, but our brains are miraculous sensory processing machines, sorting, filtering and combining vast amounts of data into a surprisingly reliable guide to our immediate environment.

So I saw her well before I actually reached her: her graceful curves, her open, welcoming mien, her smooth, unblemished face. I was so overwhelmed by her beauty that I literally stopped short, too awed at first to approach. As I stood there agape, my left foot still on its pedal and my right foot grounded, as if to steady my fluttering heart, I sensed—no, I knew, knew to the very core of my mitochondrial DNA—that she was waiting for me. Indeed, I’m not normally one to spew a lot of new age nonsense about kismet and cosmic master plans, but I could tell immediately that the universe had placed her there in anticipation of my arrival, and that she was eager to take me in her embrace, to have me and to hold me, to selflessly help me attain my goals.

And so, after regaining my composure, I rode forth once more, shorn of hesitation and robbed of all fear, and when I finally touched her, she was everything I had ever dared to dream of: (Continued)

The Long Way Home

I worked a short day today (an hour! talk about part time!), so I used a very roundabout route to get home and took a bunch of pictures on the way. You can probably tell by the unmolested dollar bill that this Buddha is in Alameda, not Oakland:

The Four Noble Truths

The bird of paradise qualifies that photo for the ongoing bird project that I mentioned a little while back (if one of my regular commenters thinks that a Navy warplane counts, then surely a bird of paradise counts too). And this pelican is a new find:

Pelican

I was very happy to catch this adorable older couple rowing their dory in front of Oakland’s industrial waterfront:

Dory

And I knew that Americans often worshipped their automobiles, but this is ridiculous:

Parking Church

There are about a dozen more new shots at my Flickr page, and a few others will dribble out here in coming days, because they require their own posts. Enjoy!

Suspension

Out-Hipstering the Hipsters

If you’ve set foot in an American city in the past few decades, then you are probably familiar with hipster T-shirts. They might be regular old T-shirts, but instead of having earnest logos such as “Dysart’s Truck Stop, Bangor, ME,” they have ironic logos such as “Dysart’s Truck Stop, Bangor, ME.” The sensibility is what makes the difference: If a working class guy in his 50’s in Milwaukee is wearing a “Pabst Blue Ribbon” T-shirt, then it’s probably not a hipster tee. When a guy in his 20’s on a fixie in Portland wears a “Pabst Blue Ribbon” T-shirt, then you can be sure that it is a hipster tee.

Unironic shirts donned with ironic intent are only one kind of hipster tee. Another variety are ironic shirts donned with ironic intent. When Seinfeld was the big Thursday night NBC sitcom in the 1990’s, Vandelay Industries T-shirts were born (“Importing/Exporting — Fine Latex Goods”). Now that The Office is the big Thursday night NBC sitcom, Dunder Mifflin and Schrute Beet Farm shirts are worn with pride from the Mission to Bushwick. With shirts such as these, one gets to wallow in corporate consumer culture while simultaneously showing one’s cool detachment from corporate consumer culture: hipster heaven!

I’m not a serious connoisseur of hipster tees, so I won’t try to explain the full taxonomy here, and I know that I’m lumping a lot of disparate styles under the rubric “hipster tees,” but I’m sure you know the sort of shirts I’m talking about. Many hipster T-shirts have a cool or funky design on them, or a clever phrase, or some combination of the two. As long as it is worn with an appropriate level of ironic distance, any T-shirt can be a hipster tee.

Ceci n'est pas une pipeI was thinking the other day about what a quintessential hipster tee might consist of. Since many have a combination of word and image, and often a self-referential element that subverts the entire premise of putting a design on a T-shirt, this train of thought carried me to Magritte’s “The Treachery of Images,”  with the words “Ceci n’est pas une pipe” (“This is not a pipe”).

Magritte, like a lot of the surrealists, was something of a protohipster (an ur-hipster? a hipst-ur?). Nothing is meant to be taken entirely seriously, the work tends to undermine itself in one way or another, and if you don’t like it…well, that just proves that you’re not in the know. If something is not said or done in earnest, then earnest objections to it tend to look silly (cf. David Denby).

Just as media critics ask, “Who’s watching the watchdogs?” and the movie ads ask, “Who’s watching the watchers,” I naturally asked myself, “Who’s ironizing the ironists?” Well, it’s a dirty job, but somebody’s got to do it, so I have given notice at my job and have founded a T-shirt company that will try to out-hip the hipsters (probably a futile aspiration, I know). I’ve tried to come up with something for everyone, starting with the basics: (Continued)

The Ascent of Man

Evolution

The same design is available on all sorts of other things from the seller at CafePress. I think I still like these “53 miles per burrito” shirts even more.

In Which We Update You on the Adventures of a Young Pirate

When we last heard from our diminutive pirate friend, he had set a northerly course and promised to stay in touch. True to his word, a bottle washed up on the shores of San Francisco Bay a few days ago, with some tidings of his exploits.

He hung out in Portland, Oregon for a while and did some sightseeing in the area, including a trip to Multnomah Falls in the Columbia River Gorge:

Multnomah Falls

And he didn’t offer any details, but it seems that he got in some trouble with the authorities (he is a pirate, after all), and had to appear in front of the Oregon Supreme Court in Salem, where he mounted a pro se defense:

Oregon Supreme Court

Oral Argument

It’s rarely wise to represent oneself, but apparently his arguments were persuasive, because soon enough he was on the move again, going to see the Space Needle in Seattle before heading to the familiar waters of the South Pacific, where he quickly settled back into his old swashbuckling ways:

Hula Girls

We’re not sure where the little fellow is now—rumors suggest Hawaii—but we’ll keep you posted if we hear any further news.

Man and His Symbols

Signs

A storefront on East 14th Street in Oakland.

The Texture of an Economic Downturn

The evidence of tough economic times is abundant, and most of us could probably cite numerous statistics or events as examples: An official unemployment rate that is over 8 percent (double digits here in California—we’ve always been trendsetters!); enormous companies entering bankruptcy or limping along with subsidies (sorry, make that “capital injections”) from taxpayers; tent cities forming on vacant land; friends or family members who have lost work or been subject to mandatory unpaid days off; commercial districts in cities and exurbs alike becoming ghost towns; irreplaceable local institutions like the Parkway Theater closing forever.

We Love You Too

In addition to those much-noted signs of recession, I’ve been wondering recently how our economic troubles will manifest themselves in less obvious ways: in our public spaces, in our daily habits and routines, in our civic engagement. I’ve long been intrigued by the look and feel of cities, and in the ways that small, seemingly insignificant aspects of the urban fabric can have big consequences, but my specific interest in the visual symptoms of economic collapse was prompted by a discussion in the comments to a previous post.

A commenter wondered what I was seeing with my own eyes that “reflected the country’s current ailments,” and I realized that I didn’t have a very clear notion of what I would expect a deepening recession to look like in a city such as Oakland. I see more empty storefronts around, and more signs in front of foreclosed homes (although I feel as if I see fewer than I did six months or a year ago), and perhaps more people out and about during the traditional working hours.

I realized, however, that in a city which has always had more than its fair share of blight, poverty, and unemployment, the signs of a worsening economic situation are probably less glaringly obvious than they are in, for example, exurban developments in the central valley or the Mojave Desert that have gone from boomtowns to ghosttowns in just a few years. Ever since that discussion, I’ve had the question in the back of my mind, and I’ve been taking note of small local indicators of economic trouble that might not show up in a statistic or a news article.

During Depression Only

Since I’m trying to be attuned to these symptoms as I roam the streets (i.e. walk the dog, bike to work, etc.), and since I still have a very limited mental image of what a deeper, prolonged downturn might look like in the modern world (will we see more “Hoovervilles” and bread lines, or will our age have its own different, less obvious manifestations of hardship?), I would be interested in hearing any other thoughts readers might have about subtle ways that the recession is affecting the look and feel of our cities.

Assuming that things continue to get worse before they get better, might we see a strengthening of neighborhood ties as people becoming increasingly concerned about property crimes? Or will people in fact become more isolated, because they will be more fearful of crime in the streets, and will have less money to spend in local restaurants and the like? Will the physical environment deteriorate dramatically, as public services and private investment continue to dwindle?

I don’t have any well-formed answers to these sorts of questions, and obviously much depends on just how bad things get, and for how long, but I’m curious — and more than a little nervous — about how further economic collapse might show itself in our streets, parks and sidewalks.

Two Ships Passing in the Day

Looking toward the Port of Oakland from across the estuary in Alameda:

Two ships passing in the day

Now will somebody take this damn camera away from me, so I can get back to writing my blog? Thanks in advance!

Back on Base

I had to go back to NAS Alameda unexpectedly today, but thankfully I had my camera with me, so I took some new pictures. I added about a dozen of the new batch to the same Flickr set that has the shots from my visit last week. If you liked some of the other ones, then you’ll probably like some of these too.

Armed But Not Dangerous

***

Music, Dancing, Games & Snack Bar

Bird hunting in Oakland

Yesterday I “shot” another “bird” that I pass on my ride home:

Toucan

I might as well take a picture of every bird between work and home, until I can’t find any more. Hunting for birds will make the ride home a bit less monotonous.